A trailblazing female voice in Zimdancehall since 2015, Queen Kadjah has carved her own lane in a genre long dominated by men, earning the title “Vocal Goddess” for her versatility, powerful vocals and energetic delivery.

Born Tariro Kadandara, the name “Kadjah” is derived from part of her surname, “Kad,” with the addition of “Jah” to give it a Reggae-Dancehall flair — a fusion that mirrors both her identity and her sound.

Reflecting on her journey in a competitive space, Kadjah describes herself simply as a conqueror.

“I’m a fighter. I don’t believe in glorifying or mainstreaming challenges — I believe in conquering them. But challenges will always be there, stemming from various grounds that include resources, finances and administrative issues,” she said.

Her foundation is deeply rooted in Warren Park, the ghetto that shaped her worldview and artistry.

“Growing up in the ghetto had a positive influence on my art and craft. The experiences, encounters and street vibes have played a role in the development of my music. All this musical journey can be traced back to Warren Park, my ghetto.”

Fans have dubbed her the “Vocal Goddess” for her ability to blend meaningful lyrics with creative and powerful delivery — a range she says is sharpened through collaboration.

“Every collaboration occupies a central place in my music career because it’s a blend of various energies and art, and beyond that, it unifies us as artists. I respect all the artists I have worked with thus far — shout out to the late Soul Jah Love, Mr Attention, Master H, Kinnah, Enzo Ishall and the list is endless.”

Her biggest hit to date, Bhinya, featuring the late Soul Jah Love (MHSRIEP), became a defining moment in her career.

“Bhinya, featuring Soul Jah Love (MHSRIEP), is my biggest hit. Collaborating with such a legend in Zimdancehall made the song an instant success. It opened doors for me — mega tours, deals and widespread recognition in the entertainment industry.”

At a time when more women are commanding space in Zimdancehall, Kadjah embraces being mentioned alongside rising queens such as Nishah Ts, Daruler, Malloti and Lady Squander.

“I don’t perceive it as a comparison. To me, it’s a compliment, and I feel like we are being appreciated as female artists. It has always been my wish to see women dominating this music space, and we are surely getting there.”

Beyond the stage lights and applause, she acknowledges that the industry still needs reform, particularly in the area of royalties.

“There is room for improvement. There is a need for more transparency, fairness and accountability. Music is our intellectual property as artists, and it demands both monetary and non-monetary investment. Royalties must reward the hard work we put into making music. More can be done to ensure that artists are adequately rewarded and empowered.”

Looking ahead, the self-declared fighter is focused on growth, consistency and bigger dreams. Locally, she names Winky D and Jah Prayzah as legends she would love to collaborate with, while remaining open to working “with any progressive, like-minded artists.”

Her message to fans is bold and confident.

“Fans must expect nothing but good vibes and good music. I am continuously refining my art, fine-tuning my music and exploring my full potential. So fans must brace up for the best because I have already declared 2026 as the year of bangers, and I am going to be dropping them on a consistent basis,” said Queen Kadjah.

From Warren Park to national stages, Kadjah’s rise is anchored in resilience, street influence and an unwavering belief in her craft — a journey she insists is only getting louder.